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At turns expressive and philosophically playful, two lengthy pieces of lyric proceduralism comprise this richly perceptive work. Originally conceived as the completion of an unfinished Mallarme work, the title poem seeks to fill in the gaps left in grief-stricken lines penned at the death of Mallarme's 10-year-old son. Turning to considerations of death, the breaking of family relations, and loss of love, the writing becomes an elegiac meditation on Hoover's own life and hauntingly mourns the loss of the Earth itself. Inspired by Wittgenstein's Tractatus, the companion piece The Windows (The Actual Acts) consists of a series of thoughtful propositions and reflections expressed through everyday language. A poet of wit and intelligence, Paul Hoover now establishes himself as a voice of deep emotional resonance and far-ranging vision.
The comfortable tone of the aphorism gets cracked open in these dense truisms as they all go slightly off-kilter, careening quietly into brand new territory. Interweaving elements of radically different tenors--hypnotic rhythm, sharp observation, elegiac impulse--Hoover's brilliant stanzas and one-liners are moving constellations presenting the raw materials of the world in constantly shifting and illuminating relations. Throughout, thinking and feeling egg each other on; the result is a simply stunning book, both deeply wise and extremely moving. --Cole Swensen, award-winning poet, Noon and Try

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